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For years, various researchers, including theologians, cultural anthropologists, linguists, and archaeologists, have been studying the Zoroastrian religion. These studies provide valuable insights into this religion and those who believe in it. However, there are still researchers who are trying to shed light on the sometimes-unclear aspects of this religion. In the past, researchers focused solely on historical and religious texts to express their views on this subject. Today, archaeological excavations and previous researches assist in shedding new light on this religion. One of the most important books in this regard that uses historical and religious texts and archaeological findings is Zoroastrianism: An Introduction by Jenny Rose. This book was published in 2011 by I. B. Tauris Publisher. 

Bashkard is a mountainous hinterland in south-eastern Iran where the two cultural regions -HalīlRūd and Jāzmūriyān-, make it outstanding. In addition to their location, surface finds around the village of Ahven in this county -in particular, the site numbered 044- indicate a chronicle of human settlements and the existence of cultural-trade interactions with HalīlRūd and Jāzmūriyān. The sampled surface potsherds and a few other cultural materials (decorative beads and shells and bronze objects -especially, round and quadrangle stamp seals) there belong to Chalcolithic and Bronze Ages. In terms of the paste colors, the potsherds represent two main groups: orange and gray. The other colors (buff, brown, and reddish gray) are less common. They are decorated with geometrical, plant, and animal motives as well as bold horizontal wavy and straight bands, and incised/scratched lines (perhaps with a sharp item such as a comb); often, one of these techniques and in some cases, both are applied on the potsherds. In terms of form (rim, neck, shoulder, handle, spout, wall/body, pedestal, and bottom) they are classified into commonly used vessels such as bowls, small jugs and jars, tumblers/beakers, and small pots. Exceptionally, a shallow tray and gray pottery of rectangular shape (probably a mold) have been recovered from the surface. Their comparison with well-known southeastern sites shows that Ahven could have predominantly acted as the trade-cultural route of between southeastern establishments and the northern and southern coasts of the Persian Gulf. The author’s archaeological survey of the region is the first attempt to ascertain Chalcolithic and the Bronze Age cultural materials as presented in this article.   

A dakhma, also known as Tower of Silence is a place where Zoroastrian people used to put the dead bodies of their loved ones. A similar structure from the Sasanian period was discovered in Bandian Dargaz, along with excavations conducted at Gelālak of Shushtar, Saleh Davood of Shush, and Shoghab of Bushehr, as well as other researches and excavations across various regions of Iran. It provides evidence that Zoroastrians practiced a burial ritual involving the removal of flesh from the body of the deceased and subsequent collection of bones, which were then placed in a container known as an ossuary. This intriguing method served as a motivation for the author to undertake more extensive studies on Zoroastrian burial rituals. This article focuses on the archaeological excavations conducted in the Torkabad’s Dakhma of Ardakan, Yazd, shedding light on this particular aspect.

This paper utilizes an approach that combines studies of Samanid period artifacts and textual accounts with modern genetic studies to explore the identity of the people who were involved in long distance trade from the far eastern regions of the Central Asia into Northern Europe. Although this study does not analyze the Samanid works, it reiterates and illustrates how important Iran/Persia was in the history of Europe as well as Central Asia. The information contained in the artifacts and texts gives us the evidence needed to understand the vast trade network and the people who were responsible for the movement of these goods, people and ideas. This study reconfirmed recent genetic studies that the people, collectively termed Rus or Vikings, were a mixture primarily of Scandinavians, Slavs, and Turks, with additional admixing with local populations. The importance of the Persian and Arabic sources addressing contact between the Rus and Eastern people has been thoroughly discussed by Thorir Jonsson Hraundal. In these texts, the Rus were referred to by different names including Majus, Northmanni, Urduman, Warank as well as by other names. One of his many observations is the unmistakable influence of Turkic culture on that of the Rus. This complex ancestry is supported by recent genetic studies and will be discussed in more detail below in light of archaeological evidence. Thus, the term Rus refers to a way of life rather than a homogenous ethnic or cultural group. However, this study refined the identity of the people responsible by observing a correlation between the distribution of the genetic haplogroup R1a sub-clade and the long-distance trade routes across Central Asia to Northern Europe, with the central focus in Eastern Europe. Despite the vast distance, the evidence indicates that there were cultural contacts between people with linked ancestry. The study is important because it begins to reveal the unexpected influence of Eastern cultures on those of Northern Europe.

The Turban helmet is a type of war helmet during the 14th to 16th centuries AD in Middle East countries. This type of helmet has become known by Western scholars by this name because of the special decorations that made it look like a turban as well as the visibility of the helmet from under the warriors’ turban. Based on the numerous documents remaining, one can say that the use of Turban helmets was popular in Middle East territories’ armies during the Middle Ages. Despite being widely used and in style for more than two centuries and among many west Asian countries, among all the remaining samples of this type of middle eastern helmet, only two distinct styles, the Turkoman and the Ottoman styles, have been examined and introduced. This can be due to a large number of remaining samples of these two being kept for years in the armouries of the Ottoman Empire. Apart from these two known styles, few studies have been done so far on investigating other possible types of turban helmets. The purpose of this research is to study the turban helmets that were popular among the armies of the Il-khanid, Jalayirid, Muzaffarid, Timurid, Turkoman, and Safavid that ruled respectively in the cultural Iran region, by relying on the remaining documents from the 14th to the 16th centuries, such as the collection of helmets and illustrated manuscripts. The results of this research reveal that the changes that occurred in the making of turban helmets during the 14th to the 16th centuries have led to the representation of four different types of helmets: Mongolian style, Timurid style, Turkoman style, and Qizilbash style.